Feeds:
Posts
Comments

Archive for August, 2005

Q: How were all the example maps in Making Maps created?

A: The primary software I used to create Making Maps was Freehand on a Mac. I learned Illustrator and Freehand in versions 1.0 back in the day while working at the Cartographic Lab at UW Madison. I have always liked Freehand better than Illustrator, despite extensive work with both software packages. Many of the map projections in the book were created in GeoCart, and I used ArcGIS to create a few dozen maps. All were imported into Freehand and redesigned.

The entire book layout and design was done with Freehand – somewhat unconventional. Because the book design and layout I wanted was unusual, I decided to “mock it up” in Freehand, assuming the whole book would be reworked by a professional book designer, sorta following my ideas. In the end, this never happened, my “mock up” is what became the final book layout and design. I think I need to take a book design course, and learn more about typography (I think the typeface and text in the book is one of its weaker points) for the 2nd edition. William Meyer (at Guilford Publications) took the Freehand files, chopped them up into single pages (I did two-page layouts, as facing pages almost always were designed to relate to each other) and converted them to PDF (with surprisingly few problems) and sent them off to the printer.

Read Full Post »

Making Real Maps

Q: Did you ever make real maps?

A: Denis makes maps, and had some – from his work in progress on the Boylan Heights neighborhood in Raleigh NC – featured on NPR’s This American Life. A few of his maps are linked there but they ain’t great scans. I will get some better ones and post them here sometime soon. As for me, Making Maps has over 300 maps in it and I made most of them; they sorta count. Below find a few maps I made in the olden days – with scribers, stick-up type, pens and ink, all finished off with photomechanical processes in the dark room. I was the last generation to learn and work with traditional (non digital) map production (late 1980s) and the first to learn and work with computer graphic design software that could make maps as well as the old traditional techniques (Illustrator and Freehand on a Mac).

Da Bomb

Chippewa Moraine Ice Age National Scenic Reserve (1987) was created in David Woodward’s Map Design course at the University of Wisconsin Madison:

Chippewa Moraine Ice Age National Scenic Reserve (1987) David knew how to do shaded relief by hand, with graphite, and showed me how. The glacial terrain on the map was easier than “normal” terrain and the result was not bad (for a beginner). The rest of the map was scribed & used stick-up type. My mom’s family (the Wolf’s) live near the area shown on the map. The map won an Honorable Mention in the 1987 R.R. Donnelly and Sons Map Design Competition (see below for the map that won the competition that year).

Da Bomb

David DiBiase and I created The Flight of Voyager (1987) when we were students at Madison (we both worked in the Cartographic Lab):

The Flight of Voyager (1987) David DiBiase started this project when he acquired detailed flight information about the Voyager flight – the first airplane to fly around the world without refueling. When the publisher of the book about the flight heard we had the data, they asked us to create the map for the book endpapers (thus the gap in the middle of the map: the left half was the front endpaper, the right half the back endpaper). The map was published in the hard cover version of J. Yeager and D. Rutan Voyager (New York: Knopf). The map won the 1987 R.R. Donnelly and Sons Map Design Competition. I had to scan the map in several pieces and there is some distortion where I photoshopped the pieces together.

Da Bomb

I created the University of Colorado at Boulder Campus Map (detail) (1988) mostly by myself as a UW Madison Cartographic Lab project:

University of Colorado at Boulder Campus Map (detail) (1988) The map was – amazingly I think – done with technical pens and ink. I traveled to Boulder to sketch and photograph each building on campus. Back in the lab, I had to develop a generalized sketch of each building – not too detailed but detailed enough to distinguish the building. Each sketch was then inked on mylar and cleaned up with an x-acto knife. I created the building windows by scanning the inked buildings into Adobe Illustrator (probably version 1.0!), creating the windows (not the buildings) then printed the windows really big, then reduced the printout in the darkroom, burned it on the same film we used for type stickup, and stuck them up. I also drew all the trees by hand (pen & ink again). This map was a tremendous amount of work. I doubt the map is used anymore, and here is a clickable WWW version that, at least in part, replaced it. Looking at the WWW map suggests to me that technology is providing us with more diverse media for mapping, but that the design of maps in these new media is often mediocre at best.

Read Full Post »

Q: Is cartography dead?

A: Denis Wood thinks so, me too (maybe – kinda depends on what you mean by “cartography”). Read his polemic Cartography is Dead (Thank God!) (download/view the PDF here originally published in Cartographic Perspectives number 45, Spring 2003). It isn’t that Denis believes mapping is dead – quite the contrary. There is so much exciting stuff going on with mapping it is hard to keep track of it all (see some of the links on the bottom of the Making Maps book main page). A lot of this work is outside of the realm of academic cartography, which itself seems to be rather quiet, at least in the American context (examples of recent cartographic research can be seen in the AUTOCARTO and NACIS conference proceedings and programs). There is some life beyond North America (see the ICA web site) and in “geovisualization” (maybe that is how cartography will survive in academia). The world of custom cartography firms and freelance cartography seems quite vital. The most wobbly, thinks I, is the state of academic map design. While you can find abundant ways to learn about GIS in general as well as ArcGIS, Java, Google Map Hacking, Flash, and other technologies for mapping, there are few places to learn about the design of maps in those contexts or in general. We seem to be back to the late 1940s when Arthur Robinson wrote The Look of Maps bemoaning the lack of attention paid to map design and suggesting an agenda to address the problem. Robinson’s agenda, largely based on advertising and psychology methods, user testing, etc. (and its evolution into cognitive map studies, which bobble along, squeezing out a few peculiar research articles a year – see Daniel Montello’s review article on “Cognitive Map Design Research in the 20th Century.”) didn’t necessarily provide much new practical information for map designers, and academic cartographic design research doesn’t seem to have found a comfortable place in the discipline of geography as design has in fields such as landscape architecture, architecture, and planning (and this, in the end, is my big problem with academic cartography – it has not done a great job of keeping up with all sorts of interesting conceptual developments in geography – but that is my own hang-up). Academic map design folks did get lots of dispersed map design know-how gathered together in text books, made it possible for map design to be taught at universities, and established cartographic labs (I wonder how many map designers developed their skills in those cartographic labs?). Alas, classic cartography texts (such as The Elements of Cartography and Dent’s Thematic Cartography) are out of date or unavailable, cartography faculty are replaced by GIS folks, cartography and map design classes are replaced by GIS classes, and the cartographic lab has transmogrified into something else – a GIS lab or whatever – usually for, well, making maps (with GIS!).

Read Full Post »

Q: What tunes did you listen to while making Making Maps?

A: iTunes was essential software for the completion of Making Maps. I have always listened to music while making maps, but have never been able to listen to music while doing other work. Curious. Various and sundry tunes wafted in the background whilst I worked on all the graphics, but a few stand out, mostly because they embody the quirky, hard to pin down qualities I tried to embody in Making Maps. A pair of CDs I have never stopped listening to – since I bought them decades ago – are the last two CDs by Talk Talk, Sprit of Eden (1988) and Laughing Stock (1991). Best known for its early 1980s start as a Duran Duran wannabe band, Talk Talk mutated into something weird and inexplicable in the late 1980s. While I revisit some of my college-era tunes occasionally, most all sound somewhat dated (and I am not old enough to get nostalgic yet). But not these two Talk Talk cds. A more recent CD that embodies the same spirit (and drummer) as Talk Talk is Bark Psychosis and their recent ///Codename:DustSucker. There is nothing similar about Talk Talk and Bark Psychosis but they are very similar. One more and I will stop: n.Lannon. Now I am not a big fan of folk music. And I am not a big fan of techno. But n.Lannon put them together on Chemical Friends and the outcome (Folktronica, I guess) is irresistible to anyone making hundreds of quirky maps.

Read Full Post »